Oil On Canvas, Real Flavor of Old Masters

All Thomas Dewing 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
70884  
Lady in Gold, Thomas Dewing
 
 Lady in Gold   ca. 1912(1912) Oil on canvas 60.9 x 45.8 cm (23.98 x 18.03 in)
71658  
Music, Thomas Dewing
 
 Music   between 1896(1896) and 1900(1900) Oil on canvas mounted on composition board and wooden panel 130.7 x 51.9 cm (51.46 x 20.43 in)
79616  
Portrait of a Lady Holding a Rose, Thomas Dewing
 
 Portrait of a Lady Holding a Rose   1912(1912) Oil on canvas 54 x 41.3 cm cjr
83654  
Portrait of a Lady Holding a Rose, Thomas Dewing
 
 Portrait of a Lady Holding a Rose   1912(1912) Medium Oil on canvas Dimensions Français : 54 x 41.3 cm cyf
58678  
Summer, Thomas Dewing
 
 Summer   Summer (1890), Smithsonian American Art Museum
11796  
The Musician, Thomas Dewing
 
 The Musician   2' x 1' 6''(61.5 x 46 cm)Gift of John Gellatly,1921
96836  
The Spinet, Thomas Dewing
 
 The Spinet   oil on panel cyf

Thomas Dewing
(May 4, 1851 C November 5, 1938) was an American painter working at the turn of the 20th century. He was born in Newton Lower Falls, Massachusetts. He studied at the Acad??mie Julian in Paris, and later settled into a studio in New York City. He married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world. He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are infused with a color that pervades the entire picture, setting tone and mood. The ethereal delicacy and subtle color harmonies of Dewing's paintings have not met with universal approval: some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure, vacant of expression, languishing in sumptuous clothing. Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so. Dewing was a member of the Ten American Painters, a group of American Impressionists who seceded from the Society of American Artists in 1897.



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